There’s no point just randomly throwing all kinds of sounds together and then trying to blow everything up. “The most important thing is to pick your elements. What’s your advice for creating a huge sound both for individual elements and for the mix as a whole? One of three of Noisia’s custom built studio in Groningen, The Netherlands Your known for creating a ‘wall of sound’ in your productions. Also, the fact that they were built with the ATC 110 speakers in mind, which makes the monitoring very accurate. Besides that, we love Steve Duda’s Serum VST, the Melda and Valhalla plug-ins and all the upgrades that were done to all the plugs we were already familiar with like NI Komplete, everything iZotope and everything Fabfilter.” #NOISIA SPLIT THE ATOM COVER PROFESSIONAL#The biggest change being the ridiculously more professional rooms we call our studios. “Compared to what we used on ‘Split the Atom’, there were quite a few new things that made an impact. #NOISIA SPLIT THE ATOM COVER SOFTWARE#After the initial idea stage was over and we got to the real decision making part, we tried to be in the same room working on all the tracks.” As you upgraded your studio over the six years, were there any new software or hardware bits that ended up making a big impact on the record? We kept a Google Doc containing notes on progress and comments to one another. “Not really, all three of us started tunes that made it onto the album. After all of these we thought the time was right to do another multi genre Noisia studio album.” How did the album process work between the three of you? Do you have defined roles when producing? Martijn van Sonderen: “We didn’t! We’ve released a collaborative album with Foreign Beggars as I Am Legion in 2013, an eight-track EP called ‘Purpose EP’ in 2014 and another collab EP called ‘Dead Limit’, with New Zealand’s The Upbeats last year. Outer Edges is your first album in six years – why did you spend so long working on this album? Noisia play Bristol’s Sequences festival on Sat 23rd July – ‘Outer Edges’ is out Sept 16th. Find out more about our Diploma course here. If you’re a fan of the Noisia sound and want to go in-depth with your own sound design, our online Diploma course covers the topic in-depth, as well as modules on mixing, producing, mastering and more. With a new album on the way, we thought we’d catch up with them to find out more about their production process. Noisia combine their huge and powerful sound with an impressive live show Known for their attention to detail, their sound is a unique combination of detailed programming and layering, centred around powerful drums and drops. Since they formed in 2003 they’ve released on Skrillex’s OWSLA, deadmau5’s Mau5trap and Jay-Z’s Rocnation as well as soundtracking and producing across many other projects. Noisia’s unique sound blends classic drum and bass and breakbeat rhythms with exquisite modern sound design.
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